Wednesday, May 6, 2020

The Horror Of The Island - 889 Words

The movie the Island is primarily focused on this so called Utopian world that is referenced to some as heaven. Its taken place in the year 2019, during this time the rest of the outside world is essentially polluted. Amongst those contaminated were only a selected few gathered and formed a whole community that were saved. After the small community was â€Å"saved† from their polluted surroundings, they were taken to a remote settlement. Within in this settlement people expected to live under Utopian principles. There was absolutely no freedom of will, this community was oppressed and in a fully controlled situation. Everything was thought out and previously structured, this controlled spanned from what to wear, what to eat, where to go and types of jobs. Entirely all aspects of their lives was predetermined for them. Most of the community rested in complete expectancy when an event was held to announce that one person has the chance to reach the gates of an idyllic nirvana na med â€Å"The Island†. The Island is primarily the safe zone escaping the disastrous and chaotic happenings on Earth, a place where each individual can enjoy a life. The main character Lincoln Six Echo played by Ewan McGregor awaits to see if his is the lucky ticket to reach such a place. While doing so he and his close comrade Jordan Two Delta played by Scarlett Johansson start to uncover the actual truths about what The Island is ultimately about. With Jordan Two Delta winning the lottery, Lincoln discoversShow MoreRelated Captain Corelli’s Mandolin Essay873 Words   |  4 Pages Captain Corelli’s Mandolin S U M M A R Y It is 1941, and a young Italian officer, Captain Antonio Corelli,arrives on the beautiful Greek island of Cephallonia as part of an occupying force. 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They seem to excite the viewer with emotions of fright, excitement and thrill. And since there have been horror movies there have been monsters to bring fright to the viewers during and after the movie. A common monster that can be found in multiple films is the zombie; also know as the living dead. One of the greatest living dead directors and screenplay writers would have to be George A. RomeroRead MoreThe Island Of Doctor Moreau1708 Words   |  7 Pagesthe eyes of western societies, and have consequently withdrawn the freedom that allows scientists to make innovative discoveries. In H.G. Wells novel The Island of Doctor Moreau, this perspective is portrayed through Edward Prendick, an upper class English gentleman with a subtle passion for science. After being stranded on a remote pacific island isolated from civilization, Prendick’s perspective on Dr. Moreau’s unethical and controversi al studies begins to transform over time. The idea that isolationRead MoreThe Island Of Doctor Moreau1687 Words   |  7 Pagesthe eyes of western societies, and have consequently withdrew the freedom that allows scientists to make innovative discoveries. In H.G. Wells novel The Island of Doctor Moreau, this perspective is portrayed through Edward Prendick, an upper class English gentleman with a subtle passion for science. After being stranded on a remote pacific island isolated from civilization, Prendick’s perspective on Dr. Moreau’s unethical and controversial studies begins to transform over time. The idea that isolationRead MoreThe Theme Of Mental Illness In Shutter Island By Dennis Lehane889 Words   |  4 Pagesmany readers as to see what mental illness truly entails. Shutter Island begins with US Marshall Teddy Daniels and his new partner, Chuck Aule, arrive at the island itself to investigate the disappearance of a patient. They conduct an investigation tha t continues for a few days, and on the final day, Teddy is told that he himself, is a patient there at Shutter Island. He denies this truth, end eventually became lobotomized. The island itself creates the theme of mental illness. Dennis Lehane bestRead MoreEssay Horror Films: The Haunted Castle by George Melies1616 Words   |  7 Pages Since the release of George Melies’s The Haunted Castle in 1896, over 90,000 horror films have been made. However, none have been more frightening and influential than that of Stanley Kubrick’s The Shining and Steven Spielberg’s Jaws. Each a product of horror’s 1970’s and 80’s golden era, the films have a reputation of engulfing viewers in fear, without the use of masked killers, vampires, or other clichà ©s. Instead, Kubrick and Spielberg take a different approach and scare audiences on a psychological

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